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Pieter Paul Rubens (Siegen 1577 - Anversa 1640) allievo/seguace del XVII secolo
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Milan, Italy
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Beschreibung
Pieter Paul Rubens (Siegen 1577 - Anversa 1640) allievo/seguace del XVII secoloLa regina Tomiri fa immergere la testa di Ciro in un otre pieno di sangueOlio su tela96,5 x 134 cm L’opera riprende, in controparte, l’originale di Pieter Paul Rubens conservata al Museum of Fine Arts di Boston. Il dipinto in esame va riferito alla cerchia di pittori cresciuti nell’atelier di Pietro Paolo Rubens, detto "il principe del barocco", attivi anche dopo la sua morte oppure ad un seguace del grande maestro, coinvolto nella produzione a latere della bottega.La prima formazione di Rubens si deve ai maestri Otto van Veen e Jan Brueghel il Vecchio. Fondamentale per la sua crescita artistica fu il suo viaggio in Italia. Ha soggiornato, studiato e dipinto per otto anni nel Bel Paese, facendo tappa prima a Venezia, dove studiò Tiziano, Veronese e Tintoretto. In seguito, entrato in contatto con Vincenzo I Gonzaga duca di Mantova, divenne loro pittore di corte, carica che conservò sino alla fine del suo soggiorno italiano. A Mantova, Rubens ebbe modo di studiare da vicino e assiduamente la ricca collezione ducale. Realizzando copie di diversi dipinti famosi ebbe modo di esercitarsi tecnicamente sugli esempi dei più grandi maestri. Nel 1601 venne inviato dal duca a Roma, dove ebbe modo di ampliare ulteriormente i suoi orizzonti figurativi, grazie alla copia di modelli di Michelangelo e Raffaello e allo studio dell'antico, guardando anche alla coeva produzione artistica del Carracci, di Caravaggio e di Federico Barocci. Lasciata l’Italia si stabilì e ad Anversa, ove organizzò il suo atelier, applicando i metodi di produzione organizzata, ovvero impiegando i suoi collaboratori con criteri razionali e in base alle singole specializzazioni. Tra i molti pittori usciti dalla bottega di Rubens o fortemente influenzati dal maestro, ricordiamo: Cornelis e Paul de Vos, Thomas Willeboirts Bosschaert, Jacob Jordaens, Pieter Van Mol, Victor Wolvoet, Joanna Vergouwen, Jan Boeckhorst detto Lange Jan, Lucas Van Uden, Theodor Van Thulden, Peter Van Lint, Willem Van Harp, Vincent Adrianssen, Pieter Van Avont, Jan e Hendrick van Balen, Theodor Boeyemans o Boeijermans, Vincent Malò, Gerard Segher Gaspar de Crayer e Abraham Willemsens.Pieter Paul Rubens (Siegen 1577 - Antwerp 1640) pupil/follower of the 17th centuryQueen Tomyris Has Cyrus' Head Immersed in a Skin Full of BloodOil on canvas96,5 x 134 cm The artwork takes up, in contrast, the original by Pieter Paul Rubens preserved at the Museum of Fine Arts in Boston. The painting in question must be referred to the circle of painters who grew up in the atelier of Pietro Paolo Rubens, known as "the prince of the baroque", active even after his death or to a follower of the great master, involved in the workshop's side production.
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Pieter Paul Rubens (Siegen 1577 - Anversa 1640) allievo/seguace del XVII secoloLa regina Tomiri fa immergere la testa di Ciro in un otre pieno di sangueOlio su tela96,5 x 134 cm L’opera riprende, in controparte, l’originale di Pieter Paul Rubens conservata al Museum of Fine Arts di Boston. Il dipinto in esame va riferito alla cerchia di pittori cresciuti nell’atelier di Pietro Paolo Rubens, detto "il principe del barocco", attivi anche dopo la sua morte oppure ad un seguace del grande maestro, coinvolto nella produzione a latere della bottega.La prima formazione di Rubens si deve ai maestri Otto van Veen e Jan Brueghel il Vecchio. Fondamentale per la sua crescita artistica fu il suo viaggio in Italia. Ha soggiornato, studiato e dipinto per otto anni nel Bel Paese, facendo tappa prima a Venezia, dove studiò Tiziano, Veronese e Tintoretto. In seguito, entrato in contatto con Vincenzo I Gonzaga duca di Mantova, divenne loro pittore di corte, carica che conservò sino alla fine del suo soggiorno italiano. A Mantova, Rubens ebbe modo di studiare da vicino e assiduamente la ricca collezione ducale. Realizzando copie di diversi dipinti famosi ebbe modo di esercitarsi tecnicamente sugli esempi dei più grandi maestri. Nel 1601 venne inviato dal duca a Roma, dove ebbe modo di ampliare ulteriormente i suoi orizzonti figurativi, grazie alla copia di modelli di Michelangelo e Raffaello e allo studio dell'antico, guardando anche alla coeva produzione artistica del Carracci, di Caravaggio e di Federico Barocci. Lasciata l’Italia si stabilì e ad Anversa, ove organizzò il suo atelier, applicando i metodi di produzione organizzata, ovvero impiegando i suoi collaboratori con criteri razionali e in base alle singole specializzazioni. Tra i molti pittori usciti dalla bottega di Rubens o fortemente influenzati dal maestro, ricordiamo: Cornelis e Paul de Vos, Thomas Willeboirts Bosschaert, Jacob Jordaens, Pieter Van Mol, Victor Wolvoet, Joanna Vergouwen, Jan Boeckhorst detto Lange Jan, Lucas Van Uden, Theodor Van Thulden, Peter Van Lint, Willem Van Harp, Vincent Adrianssen, Pieter Van Avont, Jan e Hendrick van Balen, Theodor Boeyemans o Boeijermans, Vincent Malò, Gerard Segher Gaspar de Crayer e Abraham Willemsens.Pieter Paul Rubens (Siegen 1577 - Antwerp 1640) pupil/follower of the 17th centuryQueen Tomyris Has Cyrus' Head Immersed in a Skin Full of BloodOil on canvas96,5 x 134 cm The artwork takes up, in contrast, the original by Pieter Paul Rubens preserved at the Museum of Fine Arts in Boston. The painting in question must be referred to the circle of painters who grew up in the atelier of Pietro Paolo Rubens, known as "the prince of the baroque", active even after his death or to a follower of the great master, involved in the workshop's side production.
From a Roman apartment and other commission
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Italy
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